Category Archives: Archive

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Garnett Weiss poem as preface to papers published on the theme of (Legal) Adaptation at the Dean Maxwell and Isle Cohen Seminar in International Law within McGill University’s Graduate Law Student Association 2022 Conference

JC was delighted to craft a found poem to preface research papers originally presented in May at McGill University as part of the Dean Maxwell and Isle Cohen Seminar in International Law. She attended the program virtually.

Writing as A. Garnett Weiss, the pseudonym JC uses for found poetry and her celebrated centos, the poem draws individual words and phrases unaltered from two papers which appear in Volume 2 of the research studies, just published.

Here’s a link to “A form of transparency”: https://glsars.library.mcgill.ca/article/view/250/235

JC’s family established the Seminar to honour the many contributions of her parents to McGill’s Faculty of Law where her father taught and served as Dean.

“I thank the Graduate Law Student Association and particularly outgoing VP Academic Sandrine Ampleman-Tremblay and the co-editors of the research series for their work related to the Cohen Seminar,” JC concluded.

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A Group of 7: JC Sulzenko read with Ottawa Poets on October 17 at Perfect Books, Ottawa

In spite of the rain, 7 intrepid Ottawa poets read from their recent poetry collections published by Thornhill’s Aeolus House.

The one-hour event took place at Perfect Books with an enthusiastic audience of poets and poetry-lovers.

Participating authors were: Miller Adams, Mary Lee Bragg, Brian Cameron, Blaine Marchand, Colin Morton, Claudia Coutu Radmore, and JC, writing as A. Garnett Weiss.

Copies of their collections are available from the bookstore at: 613 231 6468. Many thanks to Jim and Conyer at Perfect Books for the warm welcome and the great space.

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JC read at Aeolus House Poetry Event in Toronto at the Supermarket on September 25, 2022

JC was very pleased that publisher Allan Briesmaster invited her to read from BRICOLAGE, A GATHERING OF CENTOS at the book launch he hosted. She read selections from her collection, published in 2021 and a finalist for the 2022 Fred Kerner Book Award from the Canadian Authors Association. She also read “I didn’t know what to do,” the cento she composed by reusing lines from BRICOLAGE, in memoriam the child victims of Kamloops Residential School as the September 30 National Day for Truth and Reconciliation approached.

Aeolus House published JC’s collection of centos in July 2021 under her pseudonym A. Garnett Weiss. The book was among five finalists for the 2022 Fred Kerner Book Award from the Canadian Authors Association.

The event launched new poetry collections from Kent Bowman, Peter Jailall, Mori McCrae, and Daniel G Scott.

“I was honoured to appear on the bill with these fine poets and to celebrate the launch of their new books,” JC explained. Books will be available for purchase at the site. BRICOLAGE also can be ordered directly from bricolage.weiss@gmail.com

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JC opposed to the Griffin Poetry Prize elimination of a Canadian category

The GLOBE AND MAIL published JC’s letter to the Editor on September 13. She noted that the paper chose to include several letters pro the merger of the prize categories from two into a single English category and only one letter con, hers.

Here’s the link to the Letters page. The text, as published, follows below.

https://www.theglobeandmail.com/opinion/letters/article-i-hope-that-those-who-voted-for-pierre-poilievre-will-enjoy-a

I am a longtime fan of the Griffin Poetry Prize’s Canadian and international categories. To posit that Canadians are up to competing with every poet writing in or translated into English seems more smokescreen than credible rationale for a single category.

It suggests to me that the prize process to date has coddled Canadian poets, which does them a great disservice. Their achievements in even getting published, within our country’s climate of diminishing publishing houses, restrictive retailers and flavours of the month, should be celebrated and championed at every opportunity.

I regret this decision to build up an already generous prize so that, in the end, the prize itself wins more profile on the international stage.

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Silver Birch Press publishes Garnett Weiss in its Nancy Drew Anthology on October 1, 2016

For kids of many generations, Nancy Drew mysteries by Carolyn Keene hooked them on reading. Whenever a new book came out, the local bookstore (and there were several independent! bookstores in my neighbourhood!) would sell out very quickly, as young readers couldn’t wait fo the puzzle their favourite sleuth would unravel.

Garnett is pleased that Silver Birch Press of California chose her erasure poem “With original mystery” for the anthology, published on October 1. This poem extracts words from titles of Nancy Drew books in the order they appeared on the the page preceding the inside title page of “The Hidden Staircase,” published in 1930 and reprinted in 1995. The poem and the page showing the erasure appear in the collection.

Copies of the anthology will be available through the publisher and from Amazon.com. The publisher’s price per volume is $15. Here’s the link to Silver Birch Press’s release:

https://silverbirchpress.wordpress.com/2016/10/02/new-release-nancy-drew-anthology/

Garnett’s second poem arising from Nancy Drew sources will be posted on her own website. “Siren” This uses bon-contiguous phrases, taken unaltered from”Nancy Drew: The Secret of Mirror Bay,” published in 1972.

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JC Sulzenko’s poem “Scales” awarded Honourable Mention and will be published in the TOPS “Loves Lies Bleeding” anthology

JC is delighted “Scales” received an Honorable Mention and will appear in the upcoming “Loves Lies Bleeding” anthology from The Ontario Poetry Society (TOPS).

“I have found it difficult to sustain my equilibrium and my writing practice during the pandemic years and the upheavals in Canada and elsewhere. Although the poem begins with a dream, it moves on from that experience to my everyday reality: how current events weigh upon me in a debilitating way and force me to create a refuge of sorts,” JC explained.

“I thank the judges and TOPS for including “Scales” in the anthology and for giving the poem this award.”

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FRAMED & FAMILIAR: 101 PORTRAITS anthology features 2 poems by JC Sulzenko

FRAMED & FAMILIAR: 101 PORTRAITS, is an international anthology of poetry and photography just published as an e-book by Hidden Brooks Press.

The collection features two of JC’s poems. Here’s a link to the book and to her poems:
“Long playing” (page 174) and “Self, imagery” (page 175.)

https://issuu.com/richardgrove1/stacks/40131a9b3e1d42b8b4a0b829dc08ec2e

“I am delighted that Poetry Editor Antony Di Nardo chose to include my work in this stunning anthology. Among such fine words and images, my poems are in good company, indeed,” JC noted.

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JC Sulzenko’s poem “Sleep, hiding” a finalist and published in Public Poetry’s PANDEMIC POEMS

JC’s memory of a dream prompted her to write “Sleep, hiding” which is rooted in her experience during the first year of the pandemic. She is delighted that Public Poetry (Houston, Texas) and Director Fran Sanders chose this poem as a finalist and included it in PANDEMIC POEMS, their new anthology, now available for purchase.

Public Poetry hosted a lively online launch featuring several poets reading from the new anthology on July 7, 2022.

“What struck me is how amazing it is to be ‘in the room’ with poets and poetry lovers from across the United States, to have the opportunity to hear the poems featured in Public Poetry’s new anthology read aloud, and also to share with that community thoughts and work that are memorable.”

JC was happy to receive comments and feedback on her use of the cento form after she read her cento in memoriam Justice Ruth Bader Ginsberg as her second poem of the evening.

Here’s the link for a way to purchase Public Poetry’s new collection:

https://www.amazon.ca/gp/product/1087992478/ref=ox_sc_act_image_2?smid=A3DWYIK6Y9EEQB&psc=1

BRICOLAGE, A GATHERING OF CENTOS, is JC’s most recent poetry book, published by Aeolus House in 2021 under her pseudonym A. Garnett Weiss. The collection was a finalist for the 2022 Fred Kerner Book Award from the Canadian Authors Association. https://canadianauthors.org/national/fred-kerner-book-awards-2022-winner-and-shortlist/

Copies of BRICOLAGE are available from Octopus Books (Ottawa, Ontario), Books & Company (Picton, Ontario) and from bricolage.weiss@gmail.com

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Poetry Super Highway Issue for Holocaust Remembrance Day, April 28, features JC’s poem, “Panorama”

Poetry Super Highway Editor and Publisher Rick Lupert released the 24th annual Yom HaShoah (Holocaust Remembrance Day) issue for Thursday, April 28.

JC is honoured to have her poem “Panorama” appear in the issue which features the work of 104 poets from around the world. “Panorama” first appeared in the Canadian Jewish News and then in JC’s debut poetry collection, SOUTH SHORE SUITE…POEMS from Point Petre Publishing in 2017.

Here is the link to access this special issue on the Poetry Super Highway site: https://www.poetrysuperhighway.com/psh/24th-annual-yom-hashoah-holocaust-remembrance-day-poetry-issue/

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National Poetry Month: JC interviewed Sunday, April 10 on The County Writes…The County Reads 99.3FM

Host Lynn Pickering embraces National Poetry Month by dedicating the April 10 broadcast of THE COUNTY WRITES…THE COUNTY READS to that celebration with a fine lineup of poets, including JC.

The program includes a segment originally taped around the launch of JC’s collection of centos, BRICOLAGE, written under her pseudonym A. Garnett Weiss. JC invites listeners to a poetry reading on the theme of Intimacy and Hope. Convened by publisher Allan Briesmaster, the event will feature eight poets published by his Aeolus House. To receive an invitation to the live-streamed April 25 event at 7:30 PM EDT, just email allan@aeolushouse.com.

Here’s a link the radio station’s post with information on the show tomorrow. Tune in and hear local poets and personalities read Purdy and their own poetry. The program begins after the noon news and runs until 1:00 PM EDT.

https://www.facebook.com/993CountyFM

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Great event April 25 featuring Aeolus House authors on the themes of intimacy and hope

Bricolage-front cover
Publisher Allan Briesmaster of Aeolus House welcomed a great audience to hear eight authors read from their recent books of poetry. JC, reading as A. Garnett Weiss, the pseudonym she uses for centos and other found poetry, chose 4 poems from BRICOLAGE and unveiled 3 centos written since the collection came out last summer. Many people stayed for the lively question-and-answer session which ended the evening.

“It was both an honour and a privilege for me to participate in this National Poetry Month celebration of fine poetry. I am grateful to Allan and to the League of Canadian Poets for making the event possible. I was delighted with how many of my friends and colleagues were able to attend. Great to ‘see’ them there.”

Signed copies of BRICOLAGE at $18 each are available from: bricolage.weiss@gmail.com, and from Octopus Books in Ottawa, octopusbooks.ca and Books and Company in Picton, www.pictonbookstore.com

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Silver Birch Press publishes “Splendid terms” for New Year’s Eve

JC Sulzenko is delighted that California-based Silver Birch Press chose her poem as a New Year’s Eve toast in its current series on Thoughts About the Earth/Healing the Earth. Here’s the link to the post:

https://silverbirchpress.wordpress.com/2021/12/31/splendid-terms-by-a-garnett-weiss-thoughts-about-the-earth-series/

Written under JC’s pseudonym, A. Garnett Weiss, the poem draws individual words from death notices and obituary articles which appeared in the April 20, 2017, Toronto GLOBE AND MAIL. The piece is one of a full collection of such five-line poems now in development. “Splendid terms” also featured in the Poetry Leaves 2020 project (Waterford Township Public Library).

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“BOXING DAY COLOURS” JC’s annual posting with her wishes for a healthy 2022

BOXING DAY COLOURS

Three black pigeons found solace

in the too-warm puddles

They alone had not dreamt of a white Christmas

Did not regret the grim, gray slush

that bequeathed lines of salt to new leather boots

still stiff from packages, now crushed and

stuffed along with blue reindeer wrapping

and rivers of silver ribbon

into bulging green garbage bags

at the curb

of a new year

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JC’s poem published in Silver Birch Press “How to” series

Here’s the link to JC’s poem, “How to find your voice,” in the current series offered by California-based Silver Birch Press (SBP).

https://silverbirchpress.wordpress.com/2021/03/31/how-to-find-your-voice-by-jc-sulzenko-how-to-series/

“I took a quasi prose poem approach in this topic,” JC explained. “I love singing and had confidence in my strong voice and ability to sing on key. It came as a nasty surprise when I heard a melody in my head but couldn’t get the song out.

“This SBP series offered me the ideal opportunity to look at why and how I had come to this tuneless place. And to share how I dealt with it.

“Joining an online chapter of the choir Shout Sister gives me the chance to rediscover what I had mislaid. Even when we can return to in person practices, I hope virtual, weekly sessions will continue. I’m loving every moment.

“Thank you, SBP Editor Melanie Villines for featuring “How to find your voice” in this eclectic series and for selecting the beautiful Mary Cassatt portrait to accompany its publication.”

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A. Garnett Weiss cento on display in the online exhibition “The Art of Conversation”

Here’s the link to the art show which launched today on Facebook. Once there, please click ‘discussion’ to access the works of art and commentary.
https://www.facebook.com/events/435477617556915

JC is one of 15 artists and writers contributing to this virtual show. The project, sponsored by the Prince Edward County Arts Council and the Community Care for Seniors Association, paired each participating artist with a local senior and encouraged them to hold up to five conversations. From that shared experience, the artists and writers produced a work drawing on what they learned about and from each other.

“Our telephone conversations took us to Waupoos Island, where my almost 100 year-old partner was born, and around the County as we talked about ancestors and landscape, family and friends, food and history.

“It was a delight to meet Catherine, even if only over the phone, and to find out how we shared a love of poetry and particularly the words of Al Purdy. Together, we read “In search of Owen Roblin” aloud and from that exchange came my cento, in honour of Al and of Catherine.”

Writing as A. Garnett Weiss, the pseudonym JC uses when she writes centos and found poetry, JC chose lines from Purdy’s long poem for her cento, “I am a screen through which the world passes.” JC thanked Martin Soldat for his advice about arraying the poem.

“My part in this innovative program connecting people during the pandemic brought me great joy. I am grateful to the organizers for giving me this unique opportunity.”

The show runs for two weeks. Please offer comments on the FB post about what you read and see.

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Happy Birthday, Billy Collins

Writing as A. Garnett Weiss, JC was delighted to contribute her cento, “How the voices of light enter the body,” to the tribute video assembled for the former US Poet Laureate’s 80th birthday, March 22. The poem draws lines unaltered, apart for purposes of grammar or punctuation, from Billy’s collection, “Sailing Alone Around the Room.” Here’s the link to her reading you can cut and paste into your browser:
https://www.tribute.co/american-poet-billy-collins/?video=3c7d4c9b-fa77-c03a-3217-0858e707e029

Billy and his spouse have brought his poetry and his thoughts about poetry to a regular audience of almost 400 for a half-hour, 5 nights a week during the last year.

“These poetry broadcasts offered regular followers, including me, a looked-forward-to, late afternoon gift—respite from the tribulations of the day. Billy’s unique voice capturing experience in an accessible and eloquent way, delivered without pretense in the surprising intimacy of his home, gave me such a boost. Every day!

“Here’s wishing Billy and his family good health and happiness for many, many, many years to come.”

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Poetry Quarter in the Glebe Report in time for Valentine’s Day

Poetry Quarter (PQ) in the January/February Glebe Report published today features poems by eight local poets on the theme of “It Could Happen to You.”

Here’s the link to the paper
https://www.glebereport.ca/wp-content/uploads/2021/02/GR_Jan_February-12-2021_WEB.pdf

Scroll to page 24 for the poems JC selected for this issue and to see the submission call for the next PQ. The theme for May is tied to the sense of Spring–what it feels like: deliverance, relief, asylum and safety or the opposite. The deadline is April 26.

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A. Garnett Weiss weighs in with a poem for today

JC writes found poetry and centos using her pseudonym, A. Garnett Weiss. “I decided to make a distinction between these found poems, particularly centos, and what I write of a narrative or lyric nature, which I sign with my own name. For me, the process of composing a cento, for example, is completely different from how I approach a free verse poem. By using my pseudonym, I gained the independence I needed to move forward with found poetry.

Given the cacophony of political rhetoric these days, JC offers “Loose in the cathedral.” This five-line piece uses individual words drawn from death notices and obituary articles published in the Toronto Globe and Mail on April 17, 2017. It first appeared on JC’s Facebook page in 2018 in response to US writer Anne Lamott. Her collection of such poems is making the rounds of publishers.

Loose in the Cathedral

Privileged to know
someone else’s pain,
grieving for an approachable place,

an open door around the world,
the degree of vitriol and hate defrocked.

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HAPPY 2022 to all — Read JC’s “Boxing day colours” which she reposts each year

BOXING DAY COLOURS

Three black pigeons found solace

in the too-warm puddles

They alone had not dreamt of a white Christmas

Did not regret the grim, gray slush

that bequeathed lines of salt to new leather boots

still stiff from packages, now crushed and

stuffed along with blue reindeer wrapping

and rivers of silver ribbon

into bulging green garbage bags

at the curb

of a new year

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The Light Ekphrastic’s November issue features JC’s collaboration with Ron Tobey from West Virginia

JC thanks Editor Jenny O’Grady for pairing her with Ron Tobey and for publishing her two poems, “Luck. Now” and “From Sea to Sea.”

“I am grateful that my work has been favoured a number of times by The Light Ekphrastic (TLE) and that these poems appear during the Journal’s 10th anniversary year.”

Here is the link to their ekphrastic collaboration to paste into your browser: https://thelightekphrastic.com/tobey-sulzenko-november-2020/

“I take joy in writing poetry inspired by works of art and in what is unique about the TLE process. Each artist and poet pair chosen by the Editor receives several offerings from his or her ‘Artner’ from which to select one as the focus of new work.

“For the first time in writing such poems, I received videos, one of which included the voiceover by the videographer-poet. I hesitated. Accustomed to working from a still image or an object, I couldn’t see a way in, particularly because I didn’t want my work to be influenced by Ron Tobey’s words.

“I chose “Days Rise” and received permission from Ron to mute his poem so that I could concentrate upon images in the video. I asked him questions in an exchange of emails before I began to fashion “Luck. Now.” Only after I had completed the poem and sent it to TLE did I allow myself to listen to Ron read.

“After that, I waited to share “Luck. Now.” with Ron until he had submitted his piece in response to my poem, “From Sea to Sea.” While he chose to wait to read “Luck. Now” until when our work would be published, I couldn’t resist watching “Open your Eye” immediately.

“I remain spellbound by the synchronicity between “Luck. Now” and “Open Your Eye.” Each of us, responding to a different work of art by the other, came independently to an alignment that is nothing short of a wonder to me. Ron’s serendipitous choice of the title for his video and the wording of my last stanza in “Luck. Now” provide one example.

“Open Your Eye” misses none of the oceanic emotions embodied in “From Sea to Sea,” right from the video’s first sequences, staccato images and spectral footsteps. In my comments to Ron, I welcomed how the video moves from stark portrayals of loss into sunlight that streams around the construction of a new home in a landscape that welcomes two young people into its embrace.

“My participation in this ekphrastic collaboration has been a privilege and enriched my writing life,” JC concluded.

For information on imagistic poet Ron Tobey: https://vimeo.com/userturin

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JC’s poem “Ode to a wine-lover’s friend” featured in Silver Birch Press series PRIME MOVERS

This new, online series from California-based Silver Birch Press gave JC the opportunity to write about someone she met in the context of restrictions imposed by the pandemic who is, in his unique way, a prime mover among ‘front line’ workers. She is grateful to SBP for favouring her work with publication.

Embarrassed about the boxes of wine bottles accumulated while recycling options were unavailable, JC learned about David and his family’s novel approach to raising funds for his favourite charities.They come to the house, take away the bottles, and donate the proceeds from the returns. David’s mother, enthusiastic and warmhearted, shared his story and championed her son’s services, with emphasis on his abilities and commitment.

In “Ode to a wine-lover’s friend” JC captured the moment of their meeting and this young man’s positive disposition. She hopes David and his family will welcome the tribute.

Here is a link to the poem to cut and paste into your browser:
https://silverbirchpress.wordpress.com/2020/09/06/ode-to-a-wine-lovers-friend-by-jc-sulzenko-prime-movers-series/

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Poetry Quarter: November, Besting the Bard and poems for January, 2021

JC curates Poetry Quarter (PQ), a regular feature in the community newspaper, The Glebe Report.

The November issues features work related to the works of William Shakespeare. “We received surprising and worthwhile riffs off Shakespeare bound to offset mid-November doldrums. To read the poems, please put this link into your browser. Go to https://www.glebereport.ca/poetry-quarter-16/

For the next PQ challenge, with a submission deadline of January 15, 2l21, here’s what the The Glebe Report seeks:

Roses are red, violets are blue” –- an over-used line to be sure, but we use it to launch our theme for February’s Poetry Quarter: It could happen to you!

Send us your poems on the theme of love to illuminate the long winter nights around Valentine’s Day.
Bring light, passion and joy – or their opposite forces – to bear on words you choose to share in poetic form about your loves, your hates and your in-betweens.

Local poets: Come one, come all!

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Silver Birch Press Landmark Series feature’s JC’s poem, “At the South Rim”

JC is delighted that California-based Silver Birch Press has featured her poem about the Grand Canyon in its new series on landmarks.

Here’s the link to the post to paste into your browser:

https://silverbirchpress.wordpress.com/2020/07/08/at-the-south-rim-by-jc-sulzenko-landmarks-series/

“I thank Silver Birch Press Editor Melanie Villines for publishing “At the South Rim” along with my explanation of how that one-time visit to the canyon affected and continues to affect me. I hope one day to return. Sharing this poem takes me to the moment I first took in the spectacle that is the Grand Canyon and felt somehow I had been let in on a secret beyond my imagination.”

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An anthem by JC Celebrates Canada Day, 2020

Anthem

The Mountie sings “O Canada”—
a fine baritone in scarlet.
Odd how his stiff, brown hat stays put.

I strain to hear the others. Their singing jumbles
off high glass planes, transparent walls.
I make out “Des plus brilliants,

God keep,
Glorious and free.”
I hear my voice, small in the great room

“O Canada, we stand on guard for thee.”
I will the words to be true,
fear we are not up to it.

Many don’t vote,
squander their choices, our democracy.
Grumble at leaders in power almost by default.

Our fault, really.
Centred in little lives, blind to our need
to protect our Canada — beautiful, fragile.

We ought to know better, to know
what to do for our country every day
and in times of flood, plague, war and fire.

Could someone tell us how
or should we go out there, start somewhere,
work not only for ourselves

but for our Canada.
A half hour a day spent by
each of the 37+ million of us

(minus the sick, the too-young)
would sure buy a lot
of standing on guard.

JC Sulzenko
(CBC radio broadcast an early version of this poem )

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“The Jane Austen Society” by Natalie Jenner — JC’s new Bookends mini review

JC, a Jane Austen devotee, just finished this Oakville author’s 2020 novel. JC gives it an 8.5/10 rating. Go to Bookends to see the review.

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Eva Holland’s “Nerve, A Personal Journey Through the Science of Fear”–JC’s Review

The June 12 Glebe Report carries JC’s review of this memoire by Whitehorse-based author Eva Holland. ALLEN LANE, an imprint of Penguin Canada published “Nerve” in May.

The review admits upfront that JC has known the writer since she was a child and has watched her career with an interest that is both a professional and personal.

If JC had reviewed the book on this site for her “Bookends” feature, what rating would JC have given “Nerve?” 9/10!

Here’s the link to the paper. The article appears on page 22.
https://www.glebereport.ca/wp-content/uploads/2020/06/GR-June-2020_web.pdf

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SILVER BIRCH PRESS FEATURES JC’S POEM, “DEADBOLT” IN THE ‘MY FRONT DOOR’ SERIES

Right after Editor Melanie Villines ended this California press’s hiatus, JC welcomed the opportunity to contribute her poem “Deadbolt” to its new, online series.

“The Editor’s choice of ’my front door’ for the current series’ theme strikes me as inspired and evocative. During the pandemic, what happens inside or outside open or closed doors, whether metaphorical or physical, offers poets such scope to explore experiences real or imagined,” JC commented.

Silver Birch Press has published JC’s poems in a number of its anthologies and in various online series. She is the only Canadian whose work appears in its 2015 chapbook anthology, IDES.

Here is the link to “Deadbolt” to cut and paste into your browser:

https://silverbirchpress.wordpress.com/2020/05/12/deadbolt-by-jc-sulzenko-my-front-door-series/

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For the times — JC’s irreverent ‘haiku’

zoom once defined a lens
now opens conversations
face-to-face-to-face

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WATCH JC READ HER POEM FROM Vallum’s ISSUE ON ‘HOME’

JC was delighted that Editors at VALLUM chose her found poem “Whether or not transference occurs” for issue 17.1, which launched at an innovative, online watch party on April 24, 2020. Here is the link that will bring you her reading.

https://www.facebook.com/VallumMagazine/videos/174245443751882/

“Whether or not transference occurs” uses words drawn unaltered from death notices and obituary articles published on a single day in the Toronto GLOBE AND MAIL. The poem is part of a full collection seeking a publisher.

“I thank VALLUM’S Editors for including my piece in the ‘home’ issue. It’s a privilege to appear in the magazine and to be in the fine company of other poets whose work is featured there,” JC noted after the launch. She took the opportunity also to read two centos.

Here is a link to VALLUM’s whole digital issue 17.1:

http://www.vallummag.com/current_issue_copy171.html

JC writes centos and found poetry under the pseudonym A. Garnett Weiss.

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Ellis Marsalis Tribute

JC offers her deepest sympathy to the family of patriarch Ellis Marsalis along with her poem,”Like father, like son.” Written in 2003 after the Marsalis family played together at the National Arts Centre in Ottawa, the poem has been published elsewhere, most recently in VERSE AFIRE (The Ontario Poetry Society.)

May memories of Ellis, as was his life, be a blessing.

LIKE FATHER, LIKE SON

Ellis Marsalis caresses the keys, releases melody.
His sons trombone, sax, trumpet, drum
into the music, explore its geography,
improvise new routes to the source of sound.

They play together, yet play alone,
a composition so intimate it’s a surprise
when the jazz flows back to where it began.

What lingers is not only the music.
It’s Ellis. His voice soft,
he introduces each son
as though unwrapping a gift.

Did he know from the start how it would be,
sharing the same stage, each other’s rhythms
the joyful dissonance, harmonies?

He’d likely say luck had a hand in it, led
his boys past the usual rejection of a father’s
ways to choose such instruments
for the love of him, for the love of song.

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