JC thanks Editor Jenny O’Grady for pairing her with Ron Tobey and for publishing her two poems, “Luck. Now” and “From Sea to Sea.”
“I am grateful that my work has been favoured a number of times by The Light Ekphrastic (TLE) and that these poems appear during the Journal’s 10th anniversary year.”
Here is the link to their ekphrastic collaboration to paste into your browser: https://thelightekphrastic.com/tobey-sulzenko-november-2020/
“I take joy in writing poetry inspired by works of art and in what is unique about the TLE process. Each artist and poet pair chosen by the Editor receives several offerings from his or her ‘Artner’ from which to select one as the focus of new work.
“For the first time in writing such poems, I received videos, one of which included the voiceover by the videographer-poet. I hesitated. Accustomed to working from a still image or an object, I couldn’t see a way in, particularly because I didn’t want my work to be influenced by Ron Tobey’s words.
“I chose “Days Rise” and received permission from Ron to mute his poem so that I could concentrate upon images in the video. I asked him questions in an exchange of emails before I began to fashion “Luck. Now.” Only after I had completed the poem and sent it to TLE did I allow myself to listen to Ron read.
“After that, I waited to share “Luck. Now.” with Ron until he had submitted his piece in response to my poem, “From Sea to Sea.” While he chose to wait to read “Luck. Now” until when our work would be published, I couldn’t resist watching “Open your Eye” immediately.
“I remain spellbound by the synchronicity between “Luck. Now” and “Open Your Eye.” Each of us, responding to a different work of art by the other, came independently to an alignment that is nothing short of a wonder to me. Ron’s serendipitous choice of the title for his video and the wording of my last stanza in “Luck. Now” provide one example.
“Open Your Eye” misses none of the oceanic emotions embodied in “From Sea to Sea,” right from the video’s first sequences, staccato images and spectral footsteps. In my comments to Ron, I welcomed how the video moves from stark portrayals of loss into sunlight that streams around the construction of a new home in a landscape that welcomes two young people into its embrace.
“My participation in this ekphrastic collaboration has been a privilege and enriched my writing life,” JC concluded.
For information on imagistic poet Ron Tobey: https://vimeo.com/userturin
A. Garnett Weiss weighs in with a poem for today
JC writes found poetry and centos using her pseudonym, A. Garnett Weiss. “I decided to make a distinction between these found poems, particularly centos, and what I write of a narrative or lyric nature, which I sign with my own name. For me, the process of composing a cento, for example, is completely different from how I approach a free verse poem. By using my pseudonym, I gained the independence I needed to move forward with found poetry.
Given the cacophony of political rhetoric these days, JC offers “Loose in the cathedral.” This five-line piece uses individual words drawn from death notices and obituary articles published in the Toronto Globe and Mail on April 17, 2017. It first appeared on JC’s Facebook page in 2018 in response to US writer Anne Lamott. Her collection of such poems is making the rounds of publishers.
Loose in the Cathedral
Privileged to know
someone else’s pain,
grieving for an approachable place,
an open door around the world,
the degree of vitriol and hate defrocked.
Share this: