Category Archives: Whats New

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April 11: impromptu poem from another prompt

Fell off the wagon yesterday (April 10) and didn’t write a poem in response to Found Poetry Review’s prompt. Perhaps will have a chance to catch up later today. Perhaps not.

Didn’t really feel any affinity for today’s prompt from that source which had to do with astrological signs and other stuff. Instead, attempted a response to this Day 11 optional prompt from NaPoWriMo.net: “…write a poem in which you closely describe an object or place, and then end with a much more abstract line that doesn’t seemingly have anything to do with that object or place, but which, of course, really does….An abstract, philosophical kind of statement closing out a poem that is otherwise intensely focused on physical, sensory details.”

 Waiting for the axe

She’s like a tree—all bark, no sap
inner rings wrung out

pre-leaf, as if leaves could limp out of buds
discouraged by April frosts

Winds sigh through her branches
arthritic, sore, stiff limbs
outstretched toward a pale sun in a pale sky

till, in the notch of a heavy bough
a robin lands, strands of grasses in his beak

Back-and-forth he flies
all day and the following day, too

to form a nest at shoulder-height
A messy pile takes shape
Hope flows to her roots

underwater, without Noah

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Impromptu poem 9 (Found Poetry Review)

Here’s the prompt for April 9 from Frank Montesonti about a novel (for Garnett) and intriguing way to approach erasure poetry and the start of a poem employing the new approach:

“Erasure poetry in its essence….is just the idea of selection. Highlighting the words you do want to keep instead of erasing the ones you don’t ….creates new possibilities in poetic dialogue and polyvocal erasure texts….Think in terms of creating a dialogue. Highlight some phrases or words in one color, then feel if there might be a response to those words somewhere else in the text. How many voices do you hear in the text….What is the conversation…?”

Since importing colour to this post seems impossible, after the full text, are notes to show the three voices that emerged from colour-coding on the original text, which is:

“Nothing fills the spirit and lowers stress hormones like taking a walk in a nature preserve and connecting to the natural world, or sitting by the seashore and listening to the sound of crashing waves. We are surrounded by movement in nature, and yet, in this high-speed world, we have become disconnected with ourselves, from our ancestral ways of life, from our own sense of internal movement, and from gut rhythms. “Happy Gut”, Vincent Pedre, 2015, p. 207

A first ‘voice’ emerged as:

Nothing lowers nature
listening to ourselves
our own sense

A second ‘voice’ emerged as:

the spirit connecting sound
disconnected from movement, rhythms

A third voice emerged as:

our ancestral ways of life

The piece as a whole:

Nothing lowers nature
listening to ourselves
our own sense

the spirit connecting sound
disconnected from movement, rhythms
our ancestral ways of life

 

 

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Impromptu poem 8 (Found Poetry Review)

Harold Abramowitz suggested this prompt: “Write something you cannot remember: a memory of something – a story, an anecdote, a song, another poem, a recipe, an episode of a television program, anything, that you only partially or imperfectly remember. Write multiple versions, at least 6, of this memory.”

What came to me were distinct ‘verses,’ using the syllable discipline of the tanka form and relating to the same TV broadcast, parts of which I remember, though not all of it.

Reflections: “On the Beach”

                                                     (after Nevil Shute’s novel and subsequent films)

Black and white flicker:
men, women, well-dressed,
standing on Florida sand.
They face west, the ‘mushroom’ cloud,
armageddon, now upon them.

*

Unwilling witness,
my eleven year-old self
watches the action;
cannot tear myself away
from panic or acceptance.

*

Services all off,
a woman on insulin
sees her future
without electricity:
A two days’ supply of life.

*

What happened to them,
the characters in that play?
I do not recall.
It could not end well for them
as their world, their lives collapse.

*

I’ve walked that shore since,
never thinking of the outcome,
of their hopelessness,
but I’ve shuddered in my dreams
at how being trapped would feel.

*

What I can’t forget:
The anguish of no way out;
scavenging, begging;
my survival unlikely;
desperation palpable.

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April 7, Impromptu poem (Found Poetry Review)

Simone Muench  suggested the following prompt: “write a cento that is a self-portrait, or anthology of your life, utilizing lines and fragments from your own work,” an intriguing and somewhat daunting task.

 

You’re lost if you look, if you listen, if you follow

 

Austere, without edges or colour,
small-smiling, she looks down,

watches, waits for a sign, any sign,

listens for the story
as cardinals sing a requiem among apple blossoms.
Otherwise, she feels invisible.

Her life lies on her lips like a mystery,
like the ice that coats trees when you thought it would rain.

And I begin to understand
the legacy of those cruel shards,

to be herself
what will shatter with her
in a way both welcome and not.

                                     

Cento Gloss: Each line in this ‘self-portrait’ poem is taken unaltered from the following poems written over the past decade+: “Panorama,” “Woman of ice, woman of glass,” The April Dead II,” “Fairy Tales,” “Nero fiddled while Rome burned,” “Huis clos,” “The days of billy boy bad,” (a line from which furnished the title for the cento,) “Debut,” “Elegy for a Thrush,” “Post Partum,” “Vanishing point, “ “Where does it hurt”, “No regrets.”

 

 

 

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Impromptu poem: Day 6 (Found Poetry Review)

In response to Noah Eli Gordon’s prompt to “write a poem comprised of a single sentence, spread across at least seven lines of no fewer than 5 words each. Repeat one of your lines 3 times, but not in succession. Include the following: the phrases ‘as when the,’ a scientific term, a flower’s proper name, the name of a country in South America, a person’s proper name, the phrase ‘which is to say,’ something improper.”

Uncle

 You make me do what I don’t want to

but I can’t pretend I don’t understand —

you: Self-satisfied, self-pleasured, self-absorbed, self-ish Sam—

you speak to me in dialects I wish were foreign

or that I’d need a cochlear implant to hear

but I can’t pretend I don’t understand

which is to say I’m like helianthus facing south and west

as when the sun goes down toward Ecuador

and I turn, too, because you make me do what I don’t want to

but I can’t pretend I don’t understand

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Impromptu poem: Day 5

Here’s Garnett’s response to Sarah Blake’s prompt in the Found Poetry Review Impromptu series for National Poetry Month. She suggested choosing a song and having its dynamics open the door to a poem.  The song Garnett chose is Carole King’s “You’ve got a friend, ” which Garnett sang and read until this poem happened. Perhaps Garth Brooks will be taken by the lyrics and turn them into his next hit! LOL!

Country, western

So it’s a dark day, and a darker night
And the rain’s still coming down

You wanna put down the bottle
but instead you take another swig

And when I call you say you love me
And I hesitate, oh I hesitate

‘Cause it’s hard to believe, so hard to believe
after all that you’ve done, done to me

I wanna say I love you, too, because I do
But I hesitate, oh I hesitate

So I ask, “is it still pourin’? Are the streetlights all on?
Do they shine up the pavement? Ain’t they pretty”?

You take another swig
Then you tell me again you love me

And I wanna say I love you, too, because I do
Still I hesistate, oh I hesitate

till it’s late; time to get off the phone
watch the rain through my tears

 

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April 4 Impromptu Poem through the Found Poetry Review

The prompt from Woody Leslie involves meanings that have multiple words. He said “write a word, make list of other words related to it, combine these words into a woodblock sharing letters, keep rearranging, adding or subtracting words till you have a woodblock you like aesthetically both visually and linguistically… it can stand alone as a one-word poem or….)” Garnett began with one word: ‘reconciliation.’ This is what resulted.

Afterwar

image1

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April 3, Impromptu Poem

 

Kay lied to us. She
couldn’t cope with such colour.
Her vision shattered
like stained glass, kinetic: An
apocalypse on that day.

 

Here is the prompt: “Stare at a word until the letters start to discorporate. You will find that letter cohesion, the letter glue that keeps letters stuck inside a word, is disrupted and dissolves. Fragments of letters will dislodge too. You are then free to visually interpret or document the life of letters outside their word existence as loosely or succinctly as possible.”

While the idea was to dissociate the letters and come up with a visual interpretation/imagery that departs from the word, here’s what happened to me. Having chosen the word ‘kaleidoscope’ and having stared at it for quite a while, I found the components of the word suggested the lines above. I also tried to import a visual to add a view through the instrument as background, underneath the words, but couldn’t find a way to do that. So the short piece above appears untitled and unadorned. And I used the syllabic discipline of the tanka, BTW.

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April 2 Impromptu ‘Lite’ Poem in Response to Found Poetry Review’s Prompt of the Day

Drunktime is even more spectacular

Whatever your potion
it’s all here
in the liquor cabinet
packed with endless blends
perfect proofs and an unrivalled flood
of possibilities.
There are so many drinks to discover
everyday this way.

 

Prompt: go to an ad, take out the nouns and add others as you will.

Source: Ad for the Cayman Islands, The Globe and Mail, Section T, page 1, April 2, 2016

Original text: “Paradise is even more spectacular when it’s up to 50% off. Whatever your passion, it’s all here in the Cayman Islands. Packed with endless activities, perfect beaches and an unrivalled culinary scene, there are so many reasons to discover Cayman this summer. “

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A. Garnett Weiss to write a poem-a-day in Found Poetry Review’s April challenge

Starting yesterday, (yes, is a day late, explanation to follow), JC, using her pseudonym A. Garnett Weiss, will follow prompts from the Found Poetry Review (FPR)  to create a poem a day during National Poetry Month.

She intends to post them on this website at a minimum. “What can I say? I am a luddite and have as yet to figure out how to participate in this challenge on FPR’s website, except by adding the poem to my ‘what’s new’ page each day,” she sighed. “That’s why I’m a day late starting out.” She sighed again.

“This is my first experience with writing to a regime imposed by such relentless cues. I may decide some of the ‘output’ should stay as drafts, in which case, I’ll post a ‘gap’ message, just to keep me honest.”

Here is the first piece for April 1

 

they came in May on
the breeze; blown like tumbleweeds
dandelions seed

 

Prompts: word–tumbleweed; First 5 words–“They came in May on”

Source: ad for Fibre Containers in Oct. 1918 monthly Magazine

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JC’s New Cento Honours Award-winning Poems in the 2016 Awesome Authors Contest

JC delighted in announcing the winning poems and identifying the poets who entered the winners’ circle at the 21st Awesome Authors Awards ceremony on March 29 at Centrepoint Theatre, Ottawa.

Then she shared her decision to step down as English poetry judge after more than a decade of serving in this capacity, for which the Ottawa Public Library (OPL) awarded her the Order of Friendship in 2010.

“I love the contest and will remain its biggest fan,” she promised.

She asked everyone who had submitted a poem to the contest in English or French or English and French to raise their hands and declared it awesome that so many emerging writers aged 9-17 had the courage to do so.

In the autumn, winning poems and short stories will be published in the anthology, Pot Pourri. Copies can be ordered directly from The Friends of the Ottawa Public Library.

To honour the poets who won awards this year, JC has created a cento (pronounced ‘sento’), a form of poetry, which uses lines or parts of lines written by different poets and combines them into a poem, which is new in form and meaning. JC (often writing as A. Garnett Weiss) is focusing now on this form, and a number of her centos have been published and won awards.

Ask me anything you want takes lines or parts of lines, unaltered from how they appeared in the winning poems in this year’s Awesome Authors Contest. The gloss links to the source of each line, including the title of the poem and the poet’s name.

Ask me anything you want

Drunk on madness and intoxicating fun,
head spinning, feeling awfully faint,
I wish for you in my dreams,

wishes long forgotten
where all birds sing as if it were the same song
if only they could be heard.

I have too many names, I can’t even count them,
and, having no one to turn to for love,
to withstand any enemy
my candles and matches do nothing to fight against,
something blocks all open gates,

moving with sudden purpose
a mixture of your blood with the waters.
However no one can know except for you and me.
Wherever you go, whomever you meet,
no one understands who we are.

 

            Cento gloss: Ask me anything you want
             Title: Alyson Moncur-Beer, “Girl Power”
             Line 1: Shannon Noah, “Awakened”
             Line 2: Irine Stripinis, “Fall from Grace”
             Line 3: Maariya Toman, “Breathless”
             Line 4: Julia Dolansyky-Overland, “Lost”
             Line 5: Owen McKibbon, “What’s Around You and Living in Love”
             Line 6: Mitra Dadjoo, “Summer”
             Line 7: Francine Stripinis, “Eternally Cursed”
             Line 8: Kara Cybanski, “The Mistake of Solitude”
             Line 9: Lucy Boyd, “Lily flies”
             Line 10: Belinda Xu, “Pins and Needles”
             Line 11: Maleeka Ellaithy, “Hand in Hand”
             Line 12: Lily Inskip-Shesnicky, “Solo”
             Line 13: Sara Rwentambo, “Creativity”
             Line 14: Leah Sullivan, “The Seamstress”
             Line 15: Shannon Creelman, “Fly like a bird”
             Line 16: Zara Hewson, “Powerless or Powerful”

 

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Bookends Review: Thomas King’s “The Inconvenient Indian”

Go to bookends to read JC’s review of Thomas King’s 2012 “The Inconvenient Indian: A curious account of native people in North America.” She gives it 7.5/10 and recommends that it be included on the reading list for every Canadian history course.

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Bookends Review of Wab Kinew’s “The Reason You Walk”

Go to Bookends and read JC Sulzenko’s review of journalist, broadcaster, musician and activist Kinew’s 2015 “The Reason You Walk,” written in part as eulogy, in part as catharsis.

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Silver Birch Press features “After ignorance, blessings” in its new Same Name Series

California’s Silver Birch Press (SBP) features Garnett’s recent poem in its new Same Name Series. The poem, based upon Garnett as an undergrad bumping into Leonard Cohen at a university library, goes beyond that moment to capture her evolution into a fan. “I am honoured to be included in this innovative series and thank the editor for choosing this poem,” Garnett states.

The post by SBP includes a photo of Garnett around the time of the incident, plus notes on Garnett’s creative process. Here is the link:

https://silverbirchpress.wordpress.com/2016/01/21/after-ignorance-blessings-poem-by-a-garnett-weiss-same-name-poetry-and-prose-series/

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JC’s post-Christmas reflection with the annual posting of her “Boxing Day Colours”

Boxing Day Colours

 

Three black pigeons found solace

in the too-warm puddles

 

They alone had not dreamt of a white Christmas

Did not regret the grim, gray slush

that bequeathed lines of salt to new leather boots

still stiff from packages, now crushed and

stuffed along with blue reindeer wrapping

and rivers of silver ribbon

into bulging green garbage bags

 

at the curb

of a new year

 

A. Garnett Weiss

 

Best wishes to you all for a healthy, happy 2018 in which peace is given a chance.

 

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JC’s Guest Post for Mike Stewart, the OPL’s first Writer-in-residence

When Mike asked JC to write a guest post about poetry for his blog in December, she was delighted.

The piece appeared this week at: https://biblioottawalibrary.ca/en/blogs/guest-post-jc-sulzenko-hits-hints-post-about-poetry.

What way did she choose to give tips about how poetry works? She used song titles of the top singles from the week of November 27-December 3. What tips about writing poetry can song titles offer? “It always surprises me that poetry isn’t considered ‘mainstream,’ when songs are poems with music,” JC laments. “Just listen to Adele’s “Hello” as an example. There’s a hit song, made memorable not only for its compelling melody, but for its words which remind me of a ballad.”

“It’s great that I had the chance to write a post for teens and ‘tweens’ now, because the Ottawa Public Library’s 21st Awesome Authors Contest just opened on December 1.” The deadline for submitting short stories and poems in English or French for young writers aged 9-17 is February 15, 2016. Winning entries will be announced in the spring and be published by the Friends of the Ottawa Public Library next fall.

“I sure hope students across our city will swamp the judges with fine poems and stories.” JC returns to judge English poetry entries. Governor General Award winner Caroline Pignat will choose winning stories from 13-17 year-old writers, while Catherine Austen will judge stories by 9-12 year-olds. Sylvie Frigon has poems and stories in French as her focus. Entrants must have a valid OPL card.

The OPL is hosting workshops to give young writers a chance to hear from the judges and ask them questions. JC’s poetry workshop for 9-12 year olds takes place at 10:30 AM on a PD day, January 22, 2016, at Beaverbrook Branch. For information on the other workshops, go to the Awesome Authors Contest page on OPL website: https://biblioottawalibrary.ca/en/about/awesome-authors.

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A. Garnett Weiss: Sole Canadian poet in Silver Birch Press’s “Ides” collection of chapbooks

The past has a habit of not only of catching up but also of having a future.

A few years ago, JC Sulzenko began interviewing people whose choices about what to do and who to be in life interested her. In many cases, she spoke with friends and acquaintances. She also sought out strangers in lines of work she thought could offer possibilities for reflection and subject matter for her poetry.

Her purpose: To assemble up to forty ‘portraits’ as the basis of a volume of poetry which would capture what she learned and from which she could draw out the essence of her subjects through free verse.

She met with more than two-dozen individuals and wrote poems arising from each of these discussions. Several poems appeared in such publications as Maple Tree Literary Supplement and various volumes of The Saving Bannister.

Then, JC admits she allowed the project to be overtaken by other events, including the production of her play and later her book for families about Alzheimer’s disease, “What My Grandma Means to Say.”

That is until Silver Birch Press offered her the chance to have 15 pages of thematically-linked poetry included in its 2015 chapbook anthology, “Ides,” which was released on October 16, 2015.

Published under her pseudonym, A. Garnett Weiss, “Cameos, appearances” features poems informed by the lives of a doctor, a puppeteer, a passenger train engineer, an adjudicator, a jewelry artist, a librarian, a lyricist, a friend, a teacher, a composer, an innkeeper, a chef, a volunteer and a naturalist.

Here’s the link to the excellent video trailer Silver Birch Press produced for “Ides.”

https://silverbirchpress.wordpress.com/2015/10/16/ides-a-collection-of-poetry-chapbooks/

The collection is available from Amazon.com at a cost of $ 15.

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“Breathing Mutable Air” launched at Railroad, Oct. 18

JC appeared with Carol A. Stephen to launch their collaborative chapbook, “Breathing Mutable Air” at the pop-up poetry series, Railroad. http://railroad-ottawa.ca. Award-winning poet John Pass previewed poems his new collection of early poems, “Forecast.”

Carol and JC created 17 poems for this chapbook using a variety of structures, for example: in some poems, alternating lines; in others, alternating stanzas. Each poet contributed two of her own poems to the collection. Carol describes the collection this way: “17 poems, 2 poets, 1 voice.”

JC found the experience of writing with Carol enriching. “I found the process to be surprisingly satisfying, at times frustrating, but never dull. We are working on a new chapbook of ekphrastic poems in which each poem arises from a work of art in the National Gallery of Canada’s holdings. ”

Their next chapbook, “Slant of Light,” from which JC read three teasers, is in the final editing phase and uses ekphrastic poems to explore artwork held by the National Gallery of Canada.

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Bookends Review: Mark Frutkin’s “Colourless Green Ideas Sleep Furiously,” Quattro Books

GO to Bookends to read JC’s take on Ottawa poet and writer Mark Frutkin’s collection of essays that came out in 2012, and that has a timeless quality to it.

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Save Ostrander Point Website Features JC’s Lament

The Prince Edward County Field Naturalists (PECFN) website now features  JC’s “A voice for the turtle,” her protest poem against the construction of 9 plus 27 industrial wind turbines (each 450 feet high) at the the environmentally fragile south shore of Prince Edward County.

“It’s a travesty: the Government of Ontario willingly supports the construction of these huge wind farms which will destroy species at risk, including the Blandings turtle, and cause irreversible and serious harm to migratory birds and the delicate alvar terrain. All in the name of the toxic Green Energy Act which subsidizes with Ontario taxpayer’s $’s the production of electricity that cannot be stored, that Ontario cannot use and therefore sells at a loss to the US. It’s madness,” JC declares.

The poem is part of JC’s Prince Edward County Suite and first appeared as “Spectacle.” Here’s the link:http://www.saveostranderpoint.org/a-voice-for-the-turtle-a-poets-lament-jc-sulzenko/#sthash.7EBRESkU.dpbs

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New Bookends review

Summer reading: How to be lost in the shade during long, languid days of heat! Try rereading all of Jane Austen’s novels, even the incomplete ones. Go to Bookends to read JC’s mini-review of Austen’s “Emma.”

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Silver Birch Press tells all about JC’s multiple identities

Today, Silver Birch Press has featured “What’s in my name” by A. Garnett Weiss in its ALL ABOUT MY NAME poetry series.

Here’s the link to the post:
https://silverbirchpress.wordpress.com/2015/07/16/whats-in-my-name-by-a-garnett-weiss-all-about-my-name-poetry-series/

The poem and additional biographical and explanatory notes reveal choices JC has made to govern how she is called and calls herself.

“Yes,” she admits, “I have multiple identities that serve my purposes well, professionally and personally.” I enjoy being whoever I am at the time!

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JC Sulzenko and Carol A. Stephen launch “Breathing Mutable Air, “their collaborative chapbook June 13 at the Small Press Fair, Jack Purcell Community Centre in Ottawa

Ottawa’s Small Press Fair tomorrow saw the launch of the first collaborative chapbook by JC Sulzenko and Carol A. Stephen.

Stephen describes “Breathing Mutable Air “in this way: 17 poems, 2 poets and 1 voice. ”

JC admits it is the first time she has partnered with another poet in writing such poetry together. “This has been a rich experience for me. I believe the poems we wrote together carry a distinct identity, unaffected by what we craft when we write as individuals. I enjoyed the challenge so much. It’s no surprise that I look forward to seeing how the next collaborative work, now underway, will unfold.”

The Chapbook, published by BC’s Nose in Book Publishing, costs $10.

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New Mini-review at Bookends on this site

JC’s reviews of books she reads use up to the same number of words as Twitter allows characters. Read JC’s views on the latest: Jane Austen’s Mansfield Park. “It’s never too late to come to love Jane Austen’s novels,” JC believes.

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Silver Birch Press Publishes “Solo for a princess” by A. Garnett Weiss

Silver Birch Press has been running an amazing series with the theme of  “Me as a child.” The quality, depth and variety of poems which have appeared to date bring the series into the realm of  ‘spellbinding’ reading.

Among the offerings which appear today is Garnett’s “Solo for a princess.” Garnett is honoured to have this poem published in this series. Here’s the link. https://silverbirchpress.wordpress.com/2015/05/23/solo-for-a-princess-by-a-garnett-weiss-me-as-a-child-poetry-series/

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New Feature: BOOKENDS – What fiction and non-fiction JC Sulzenko reads

Starting today and from time to time, JC will post her views about some of the books she has been reading. Each post will share her candid assessment of the craft and content of books on her reading list. Reviews will be kept to around the same number of words as the characters Twitter allows per Tweet.

“Rather than simply going on to the next book, it’s important for me as a writer to reflect on how what I read stays with me.

“I admit I generally look at reviews only AFTER I finish a book so as to not have such comments predispose me to think about it in a particular way. So I recognize how my reflections may influence other readers to take up a book. Or to avoid it. It’s for that reason I want my thoughts to strike a good balance between honesty and respect.”

JC emphasizes that the views she expresses will be entirely her own. She’ll rate each book on a scale of 1 to 10. JC welcomes feedback on her comments through this website or on Twitter @jcsulzenko.

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Death of Nobel Laureate Tomas Transtromer – a cento in homage by A. Garnett Weiss

When no one was looking

It happens in this or maybe that way:
Inside you opens up, vault after vault endlessly.

I am not empty. I am open
and grow milder and wilder than here.

Time streams down from the sun and the moon
with journeys in its claws.

While the sleepless days relieved one another,
I have paid for what I ought to and have receipts for everything
heavier than life.

I know the deep. Where one is both prisoner and guard,
everything living sings, stoops, waves, creeps.

 

Cento gloss: When no one was looking

Title: Tomas Transtromer/Don Coles translator, “Epigram”
Line 1: Tomas Transtromer/Don Coles translator, “Indoors is Endless”
Line 2: Tomas Transtromer/Don Coles translator, “Romanesque Arches”
Line 3: Tomas Transtromer/Don Coles translator, “Nightingale in Badeluna”
Line 4: Tomas Transtromer/Don Coles translator, “Six Winters”
Line 5: Tomas Transtromer/Don Coles translator, “Vermeer”
Line 6: Tomas Transtromer/Don Coles translator, “Flyers”
Line 7: Tomas Transtromer/Don Coles translator, “The Longforgotten Captain”
Line 8: Tomas Transtromer/Don Coles translator, “Streets in Shanghai”
Line 9: Tomas Transtromer/Don Coles translator, “Lullaby”
Line 10: Tomas Transtromer/Don Coles translator, “Yellowjacket”
Line 11: Tomas Transtromer/Don Coles translator, “Madrigal”

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A poem by JC Sulzenko appears this spring in a new poetry anthology for children: Book launch on March 29 in Montreal

JC is delighted that her poem, “City Garden, ” appears in a NEW poetry anthology for children eight to twelve years of age, “Dear Tomato,” which was launched in Montreal on Sunday, March 29. “Dear Tomato: An International Crop of Food and Agriculture Poems” can be ordered NOW through Amazon.ca. Here’s the link: http://www.amazon.ca/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=%22Dear+Tomato%22

“This collection offers children and families something novel, as its subtitle suggests. I am happy that editor Carol-Ann Hoyte included my poem about a rabbit and a pansy flower in the same back yard. It’s one of my favourites!” JC claims.

Here’s what’s said about the anthology on the book’s back cover: “Featuring a wide assortment of styles, from haiku to acrostics to free verse, these poems touch on topics that range from lighthearted to seriously thought-provoking. Whether the focus of the poem is a child’s battle over eating peas or a celebration of fair trade, this collection introduces kids to a fresh, new view of where their food comes from… Throughout the anthology, each entry’s words and ideas are brought to life by Norie Wasserman’s stunning black-and-white photographs…”

And here’s a fine quote from Kenn  Nesbitt, US Children’s Poet laureate (2013-2015): “From farm to market, from garden to table, and from fork to mouth “Dear Tomato” serves up a bumper crop of delicious (and healthful!) poems that are sure to leave you hungry for more.”

Further information about the anthology can be found at  https://www.createspace.com/4947475

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“Where I live series” features A. Garnett Weiss poem on March 10

Here’s the link to Garnett’s “Through My Window,” published on March 10 by Silver Birch Press. http://Silverbirchpress.wordpress.com as part of its series entitled “Where I live.”

Garnett is delighted that the editor chose a photograph of the Rideau Canal in winter to complement the poem occasioned by Ottawa, Canada, having  the dubious distinction of being the coldest capital in the world on one frigid day in February.

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The Light Ekphrastic publishes two poems by A. Garnett Weiss today

How does a piece of poetry inspire an artist? What does a poet take from a work of art? That process is what lies at the core of the on-line journal, The Light Ekphrastic.  Its February issue features two poems by A. Garnett Weiss, linked to two works of art by Isabelle P. Laureta. http://thelightekphrastic.com

“The selection process is ‘blind'”, says Weiss. “That’s its charm. I submitted a few poems to the Editor and heard that my work had been selected and would be forwarded to the artist with whom the editor linked me. In return, I would receive a number of artworks by that artist.

“It was left to each of us to select to which piece we would respond. Neither Isabelle nor I knew what the response would be until we saw the journal published.”

Garnett’s poem, “Woman of Ice, Woman of Glass” inspired Laureto to create the image of a woman that is striking in its use of lush tropical flowers, water, and crystals. In turn, Garnett’s poem “Antigua” riffs off Isabelle’s portrait of a woman floating among Men-of-War jelly fish to address matters of the heart.

“I have never had the opportunity to work with an artist in this reciprocal way before. I’m hooked and look forward to other such collaborations.”

Garnett thanked the editor of The Light Ekphrastic and Isabelle Laureta for the experience.

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